Confused About Copyright: A Forum
This morning, just before I pushed the ?submit? button for my posting on ?Why Teach Evolution,? I hit the mental ?pause? button. Part of my posting was a reblogging of yet another wonderful column by Olivia Judson, my favorite science writer on evolutionary biology. Her piece was originally a New York Times-on line guest column.
Why pause? Because, technically, her essay is copyrighted by the New York Times. However, when I read it on line, one of my options is to ?share? this essay in any number of ways. I can post it to my del.icio.us account (and I almost always do). I can post it to Facebook (check). I can Digg it, Mixx it, Yahoo! Buzz it, and Permalink it (almost never do that?one has to be a little selective in one?s tools, no?) I can even email it to a gazillion friends. Those are one-click options that the New York Times offers me every time I read on line.
But am I allowed to reblog to the HASTAC site? I always give proper attribution and credit, of course. I have kept track of the reader numbers for my columns where I reblog from elsewhere and where I just write my own thoughts and the numbers do not indicate that a great mass of humanity is rushing to the HASTAC site to just to read the sporadic Times reblogs. No difference at all, that I can measure. So I?m not taking business away from the Times.
Sometimes I think about just giving the link, but I subscribe to the New York Times on line and providing a link may giving access to the Times to non-subscribers ; that might even be worse than "sharing," as the Times says.
So the confusing big question: What does it mean to reblog copyrighted material that comes with many options for public dissemination of that material? What is copyright online in August 2008? What does it mean? What are its limits and responsibilities and "intentions" (can a copyright law have an intention?).
I read a lot on intellectual property and it is clear we are in a mid-course moment where no one fully understands the meaning or implications of anything having to do with the distribution and remixing of information.
So let?s talk about it. I?d love fellow bloggers or blog-readers to offer their ideas about copyrights and copywrongs in the comment section below.
And perhaps a future forum for our new HASTAC Scholars might be copyright on line. I?d love to hear what you think, what you do, what practices you follow, what community standards you think work best, what you teach your students, what you learn from your teachers about IP . . . all that . . .
- Cathy Davidson's blog
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Good Questions
I have often wondered if there is a current Copyriting for Dummies book out
Great questions, back at you!
These are all great questions---and I'm not sure anyone has all the answers, or, rather, the answers change every day. I wrote about this in the PMLA essay that came out this week, "Humanities 2.0: Promise, Peris, Predictions," (I think it is actually the May 2008 issue but it arrived in my box this week)--but in that piece I note that, between May 2007 when I wrote it and May 2008 when I read the galleys, I had to update the essay twice: that's how much had changed in the course of a year). That's true of IP issues too, always changing. The best "Copyright for Dummies" book I know is the brilliant comic book/graphic novel BOUND BY LAW that is intended for copyright images for documentary filmmakers but helps with "copyright thinking" for the rest of us too. Here's the url where you can download it for free:
http://www.law.duke.edu/cspd/comics/
I look forward to meeting you, Hastac Scholar! Thanks so much for posting.