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On Publishing Electronic Editions: Doug Reside @ HASTAC2010
By Trettien on Apr 16th, 2010
Trettien's Blog

Doug Reside's HASTAC10 talk on "A Technical Framework for Publishing Electronic Editions" begins with a "common anxiety": libraries tend to be...
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Rethinking How We Publish Electronic Edition: Doug Reside @ HASTAC2010
By Trettien on Apr 16th, 2010
Trettien's Blog

Doug Reside's HASTAC10 talk on "A Technical Framework for Publishing Electronic Editions" begins with a "common anxiety": libraries tend to be...
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David Ferriero @ Duke: National Archives, Memory & Digital Documents
By Trettien on Mar 24th, 2010
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This is a revised excerpt from a (not very...
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"Shakespeare and New Media": An Experiment in Open Review
By Trettien on Mar 16th, 2010
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The Digital Reading Room -- er, Archive
By Trettien on Nov 22nd, 2009
Trettien's Blog

Amidst all the exciting news in the digital humanities world this week, the Shakespeare Quartos Archive was quietly launched. This is big news for...
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Diana Taylor, "The Digital as Anti-Archive"?: A Response
By Trettien on Oct 26th, 2009
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[Cross-posted at my own blog.]
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Traversing Digital Boundaries (without looking back)
By Trettien on Feb 25th, 2009
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About four months ago -- back when my ramblings about ars combinatoria and digital poetry and text-generating volvelles from the seventeenth century...
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Revisiting Very Old Media
By Trettien on Jan 21st, 2009
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I began writing a comment in response to Jed's recent post on "old media," but it was getting long. So I've decided to continue the conversation...
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Mining (Con)texts
By Trettien on Oct 20th, 2008
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John Unsworth gave a talk at Harvard tonight teasingly titled "How Not to Read a Million Books: Text Mining, and Reading the Unreadable." He spoke...
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French Theater + Cool Visualizations = the future of digital humanities?
By Trettien on Sep 23rd, 2008
Trettien's Blog

From 1680 to 1793, the Comédie-Française, a French theatre troupe founded by Louis XIV, kept meticulous records for each of its performances. At...
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About Trettien
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Whitney is a PhD student in the English department at Duke University. She recently completed an SM in Comparative Media Studies at MIT, where she produced a digital thesis on combinatory reading/writing and worked for the HyperStudio Digital Humanities Lab.

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